This opening piece of the special issue ‘Perspectives on Post-Truth’ aims to accomplish three tasks. First, and foremost, it highlights the issue’s distinctive feature, namely its variegated approach to post-truth. The leading idea in assembling it has been to draw on different methodologies, theoretical approaches, and competences, in order to gain a fine-grained understanding of the post-truth condition and to develop an effective toolkit to address the most pressing challenges it poses to our societies. The underlying conviction is that a (...) variegated approach is required by the multifaceted nature of the post-truth condition. The curious reader willing to venture through the issue will thus be exposed to different perspectives on post-truth: some pieces address it from a traditional epistemological perspective, others explore post-truth from the perspective of social epistemology, and still others adopt a semiotic perspective. In light of this multiplicity of perspectives, the second task of this piece has been to provide a brief thematic overview of the key issues and perspectives in order to illustrate the overall narrative of the project. The third and final task has been to give a detailed synopsis of each contribution so that the reader will know precisely what to expect from it. (shrink)

The post-truth regime is a regime in which certain central categories of modernity seem to be inadequate: that of truth as correspondence, that of truth as verification, and that of truth as sincerity. This reflection aims at proposing a shift from the category of truth to the category of legitimacy, in order to rethink those of correctness, objectivity, adequacy. The advantage potentially offered by the concept of legitimacy, with regards to that of truth, has to do with the reference to (...) a given context, with an element of social recognition and a processual dimension, which makes the management of discourses more flexible, without abdicating to their deregulation. (shrink)

ABSTRACT Even if Lotman’s theory has often been presented as a semiotic theory based on categories of space, temporal categories are crucial as well. And as we can speak of polyglotism as one of the main features of culture, we should speak of polychronism as well. In each state of culture, in fact, we find many temporal codes, and the internal dialogue is not only based on codes coming from different spaces (in the normal sense of polyglotism), but also as (...) coming from different times (in the sense of a sort of polychronism). Lotman’s reflections about this aspect of culture could be very useful in order to understand some aspects of our society, where we find a form of presentism, the temporal dimension corresponding to localism within the spatial dimension, which globalization has produced. (shrink)

The aim of the article is to reflect on the communication model of fake news, starting from the assumption that fake news items are not mere falsehoods (e.g., trivial lies) nor something completely new.Drawing inspiration from the work of Umberto Eco, I will investigate the idea that today’s viral fake news can be aligned with the hermetic paradigm he outlined. Then I will consider another communicative model: that of gossip. Thanks to these two models, I will support the thesis that (...) fake news are not something to eliminate or to correct according to the criterion of evidence or truth, but rather something to live with, corresponding to a potentiality of discourse, that is to detect and to analyze. (shrink)

The subject of this contribution concerns the evolution of Eco’s thought on the problem of the false, from the first writings (in which the sign is just what can be used to lie) to the reflections of the late 1980s on the strength of the false, in a more culturological perspective. The essay will therefore trace an evolution that establishes in Eco’s theory a continuity between reflection on falsehood, reflection on falsification and the theory of fiction, while in a second (...) time it will retrace all of Eco’s narrative going to highlight how all novels have to do with the false, or at least with the non-verifiability of the true. From this point of view, it will be argued that novels are the best place for Eco to affirm the strength of the false, for the nomothetic power of fictions. (shrink)

The aim of my contribution is to analyse the role that common sense has played in Umberto Eco’s work. After making clear the distinction between good sense and common sense, and highlighting a number of differences with the Scottish philosophy of common sense, I will consider the uses and functions that common sense assumes in Eco’s philosophy: namely, a phenomenological function, a regulatory function and a communicative function. I will demonstrate how the characterisation of common sense in Eco emphasises the (...) importance of the historical dimension of Sens, the importance of the public and social dimension of semiosis, and how common sense plays a fundamental, pragmatic role in the disposition to act, whilst revealing the importance of the Peircian lesson and Eco’s consonance with Peirce’s positions. (shrink)